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BOTANICAL MUSEUM LEAFLETS 

HARVARD UNIVERSITY 


Cai 


idge, Massachusetts, Apkii. 7, 1972 


Vol. 23, No. 3 


THE DEATH OF CLAUDIUS 


OR 


MUSHROOMS FOR MURDERERS 


BY 


R. Gordon Wasson 


Tit illos bolctos , voluptarium venation , nihil 
oculti operis iudic.as facere, etiam si 
praesentanei non fuerunt. 

Seneca the Elder, Epistle XCV 
to Lucilius. 


For murderers there is only one kind of mushroom 
worth considering: Amanita phalloides. Almost every¬ 
one who dies from mushrooms dies from it; and most 
of those who have eaten it have died from it. Even a 


small 


Specimens 


identify and 


find 


in our 


latitude from August into October. Their poisonous 


virtue survives cooking, 
more accurately, the dead! 
for we must add Amanita i 


freezing, dry 


rn 


i 


U 


speaK 


/ 


all three resemble each other so closely both in appear¬ 
ance and toxic properties that the murderer, whose ends 
after all are empirical, will disregard the distinctions as 
academic. He looks for white gills, veil (or ring), and 
volva, taking care not to be misled by any of the inno¬ 
cent amanitas, such as the citrina. On the autopsy table 
the victim shows pathological lesions of the viscera, but 
unlixe the case with arsenic, the pathologist cannot iso- 

[ 101 j 












































late the lethal agent, whose identity he must inter from 
the ease history supplied by the attending physician, plus 
such evidence as can be assembled to show that the vic¬ 
tim had eaten the lethal fungi. 

From the murderer's point of view, the deadly amanita 
suffers from one shortcoming: an occasional victim, after 
days or weeks or even months of shattering illness, slowly 
recovers and returns to circulation. True, he is only a 
frail replica of his former self, but he is alive and has 
foiled the murderer's coup. On the other hand, if the 
murderer also hates his victim, and if success attends his 
undertaking, his worst instincts and hopes will have been 
more than satisfied by the slow progress and horrible 
suffering that attend the victim's downward course into 
the grave. The symptoms of poisoning by the deadly 
amanitas are distinctive, dramatic, and terrifying. 

To begin with, the lethal amanitas taste good—on this 

the abundant testimony 

% 

voice. Not him? arouses 


of victims shows no dissenting 
suspicion as the greedy 


diner 


consumes his fateful dish: nor does he suspect anything 
tor many hours thereafter. Indeed, the distinctive mark 
of this poison, its veritable signature as Dr. Dujarric de 
la Kiviere has aptly called it, is the period of absolute 
quiescence that follows the ingestion of the mushrooms. 


a period that never lasts less than six hours, and usually 
ten or twelve, sometimes twenty or even forty or more. 

* m/ 

'The victim goes about his affairs blissfully unaware that 


the fingers of death are entwining him. Perhaps he speaks 
with relish of the mushrooms he has eaten, and may ask 
for another helping of the same kind at the next meal. 
If they h ave been served to him intentionally, his mur¬ 
derer, standing bv. eves him with wicked and dissembled 


solicitude, alert for the inevitable moment. Of a sudden 
the victim is gripped by appalling abdominal 



followed by vomiting and diarrhoea foetida. Neither 




emetics nor purgatives can help him now, i'or his system 
has absorbed the venom during the long period of‘ silent 
invasion. The initial seizure is followed by utter prostra¬ 
tion. which in turn is succeeded by another paroxysm 
like the first, and this alternation continues, perhaps for 
many days, until the victim, his pulse fast and weak, 
succumbs, usually after a delirious phase. The appear¬ 
ance of the patient meanwhile is marked by what 


physicians describe as the H 


facies 


the 

eves 


unken 


staring as though with anxiety or terror, 


skin over the cheekbones taut and parched, nose pinched, 
temples hollow, ears leaden and cold, their lobes turned 
out, lips relaxed, the 


whole face 


irbinger of imminent d 


d 


an appearance 


Our lugubrious, even sinister, approach to the toxic 
fungi presents the elementary facts that should be known 
to any detective story craftsman who resorts to mush¬ 
room poison as a device in the construction of a plot. 
The art of the detective story is a minor literary genre 
proliferated by the English-speaking peoples. Its leading 
exponents are often conscientious in their scientific re¬ 
search. But when thev invoke mushroom poisoning. 


ible of artistic perform 


Celtic 


Anglo-Saxon 


races inhibited all 


dark recesses of the 


repellent subject. Mushrooms remain a mystery to 
mystery writers. 

Before examining the texts, we must mention two 
other kinds of toxic mushrooms. First and foremost 
there is Amanita muscaria, erroneously regarded by 
many laymen as preeminently the poisonous mushroom. 
Its evil reputation far outruns its deserts. It gives its 
name to ‘muscarine’, the atrent that most physicians and 


many 

regard 



he English-speaking world 
mushroom poisoning. But 






the facts are that muscarine is seldom if ever 
it is destroyed bv cooking, and that it exists in A. mus¬ 


caria onlv in traces. One would have to eat kilograms 

* O 

of fresh A. muscaria to induce a muscarine reaction, and 
far more for a lethal dose. In the English-speaking 
world this spectacular mushroom labors under a tabu, 
originally I believe religious, which wielded such power 
that it seeped out and infected the whole wild mushroom 
world—the world of ‘toadstools'—to the point where 
the idea of eating them strikes panic into the normal 
Englishman's being, be he ever so brave. The victim (or 
beneficiary) of A. muscaria , following a stupor accom¬ 
panied perhaps by vivid dreams, is traditionally imbued 
with a sense of exhilaration, of living in new dimensions 
with miraculous mobility; but these are the result of 


drugs new to science and now 


first time bein 


st udied. 


Of the remaining toxic mushrooms, there is a peculiar 
mystery about Oyromitra csculcnta , a common species 
much eaten (as its name suggests) in central Europe. 


Certain it is that at intervals cases occur where an indi¬ 
vidual dies from this species. The explanation may not 
be surely known, but if the best opinion available today 
proves right, dyromitra csculcnta offers us a notable 
fungal peculiarity. It seems that everyone may cat this 
tasty mushroom with impunity for the first time. But 
occasionally there is an individual who, if he returns to 
a mess of the same species shortly thereafter, and if the 
mushrooms are fresh rather than dried, suffers a danger¬ 
ous or even fatal anaphylactic shock. 

Dorothy L. Savers with Robert Eustace in The Dock- 
meats in the Case produced the supreme example in Eng¬ 
lish of a mystery story based on fungal poisoning. An 
eccentric Englishman, (leorgc Harrison, made wild 


mushrooms his hobby (he was obviously eccentric), and 






in the end was found dead (as his fellow-countrymen 
would expect) in a lonely shack. The evidence indicated 
that he had recently eaten a mess of stewed mushrooms 
prepared by himself. The coroner after chemical analysis 
of the uneaten remains of the stew put the death down 
to accidental muscarine poisoning. The victim's son, 
Paul, was not satisfied, because he was certain his father, 
a careful man and excellent amateur mycologist, could 
never have confused Amanita muse aria with an edible 
species, and in the end he ran down the real culprit, a 
lover of Paul's stepmother, a villain named Robert 
Lathom. who in due course was proved to have intro¬ 
duced synthetic muscarine into the stock that had served 


for the mushroom stew. I 


and 


hanged. The story is well told, with delightful touches 
revealing the mycophobic mbits of mind of the run of 
Englishmen. Rut it suffers from one defect: muscarine 


is destroyed by cooking and could not have caused the 
victim's death. Furthermore, tlie toxicity of fresh mus¬ 
carine is exaggerated: the chances were excellent that 
Harrison would survive an uncooked dose. Lathom 


should have used pieces of A. phalloidcs , not muscarine, 
and for informed readers, his execution was a painful 
miscarriage of justice, a tragic sequel to an incompetent 
performance by Defense Counsel. 

M iss Sayers an d Mr. E ustace used, or misused, a 
genuine mushroom. More often English authors create 
fictional species, tailored to fit their plots. Ernest Rramah 
in The Eyes of Max C xi rr ad os tells a story entitled “The 
Mystery of the Poisoned Dish of Mushrooms’. It hinges 
on the peculiar properties of a non-existent fungus on 
which he bestows a name unknown to mycology, ./ mun¬ 


it a bhuroides. (This name sounds like a misspelled de¬ 
rivative of Burrhus, a personage in attendance at the 
imperial court of Claudius and Xero.) it is so deadly 




that the victim expires within a half-hour of his seizure. 

More notable than Amanita bituroutes is the fictitious 
“Panaeolus sherrijj'ohles ", as we shall call the mush¬ 
room that the playright U.C. Sherri If’ devises for his 
drama Miss ?tabel. I is plot is unhappy, lor we are ex¬ 
pected to sympathize with a kindly, somewhat demented 
heroine who poisons her wealthy and hateful sister, the 
widow Fletcher. The mycophile watches with astonis h¬ 
ment as the author, by a very act of creation, invents his 
mushroom and clothes it with precisely those attributes 
that the plot requires. It appears in the spring: the daf¬ 
fodils are in bloom and Faster is yet to come. (I n nature 
there are almost no mushrooms then.) It grows fast, 
progressing noticeably in the course of a night's rain. 
A cluster of nine serves as the lethal dose, but the play¬ 
wright suggests that fewer would have sufliced. When 
cooked, the mushrooms smell like hot rubber, but the 
smell is successfully overlaid with onions and tomatoes. 
Most remarkable are the toxic properties. These fungi 
are a powerful narcotic and put the victim to sleep at 
once. The widow Fletcher departs this life without pain, 
uerugi V, resentful face assuming in death *a look of such 
peace and gentleness* that the audience is presumably 
reconciled to her hurried departure at the hands of her 
sister. 

Yet another inventor of mushrooms is H.G. Wells in 

his short story. The Purple Pi/eus. Here a mild- 
mannered, milk-toast of a man named Coombes, lower 
middle-class, finds himself 


browbeaten by his wife and 
, to the point of desperation 


and suicide. He rushes from the house into the woods. 
He thinks of drowning himself, but suddenly notices all 
the varied mushrooms around his feet. A purple pileus 
catches his eye, 'a peculiarly poisonous looking purple’, 
slimv, shining, emitting a sour odor but not disgusting. 



Coombes breaks off a piece, and the creamy white of the 
inside changes in ten seconds to a yellowish green color, 
which suggests what the modern world knows as a bole¬ 
tus. He remembers that his father had described this 
very species to him, and they were the deadliest poison. 
He tastes the thing. I t is pungent. He almost spits it 
out, but then it seems merely hot to the taste and full- 
flavored, a kind of German mustard with horse-radish. 
H e swallows it. There ensues a curious tingling sensa¬ 
tion in his finger-tips and toes. His pulse quickens. The 
blood in his ears sounds like a mill-race. He loses his 
balance, falls, forgets everything. While he lies there 
unconscious, a peculiar transformation takes place in his 
personality, for after a while he wakes up feeling bright 
and cheerful, his complexion a livid white, his eyes large 
and bright, his pale lips drawn in a cheerless grin. The 
mild little man is now a lion, lit to be master of his 
house. He goes home, and in a scene of violent retribu¬ 
tion he imposes his will on his wife and that noisome 
friend of hers. He is so successful that the reformation 
in his household proves lasting, and the whole course of 
Coombes's life is changed for the better. 

Coombes's exhilaration might suggest that he ate 
Amanita muse aria, but Wells expressly distinguishes 
his purple pileus from that other species, ‘the red ones 
with white spots'. Wells, like Bramah and Sherriff, fills 
out the necessities of a given plot by inventing the 
needed mushroom, on which we here might facetiously 
bestow the name of Boletus icellsoidcs. 

Have Knglish authors ever invented flowers or shrubs 
or trees with which to adorn the Knglish countryside.' 


seems unlikely 


nded 


they never fix their gaze, they usually ignore them, and 
on the rare occasions when ‘toadstools' are needed, they 
blithely misrepresent them, to make them serve an 
odious or exotic purpose. 

[ U)7 


With Wells and Sherrill’ anti Hramah, we observe a 


ophobi 


in its 


unconscious and spontaneous workings. Doubtless many 
other examples could be assembled, and we shall men¬ 
tion a few. Hut first let us note and celebrate one excep¬ 
tion. Anne Parish in her nov el The Perennial liaehelor 
dispatches one of her characters by means of a dish of 
mushrooms. Unlike all the other writers about whom 


we speak, she shows herself thoroughly 



in 


t lie 


properties of the deadly amanita. The episode is only 
incidental to her plot, and this makes the accuracy of her 
details even more astounding. It is not as though she 
had worked hard on mushrooms and then hung her story 
on them. 

In December 19H) Kllerij (Queen's Mastery Magazine 
published a yarn by August Derleth in which the mur¬ 
derer killed his victim bv substituting for morels some 

%/ *, _ 1 

specimens of Gyromitra cseulenta —a species that no vil¬ 
lain bent on murder would ever rely on. In Murder 
icitfi Mushrooms, ‘Gordon Ashe' (pen name for John 
CTeasey) has his victim die the same night that he dines 
on poisonous mushrooms—a tragic sequel that could not 
occur. In K.T.M. Scott's Ann's Crime , the victims in¬ 
hale spores o\' Amanita pha!loides that have been con¬ 
cealed in a cheese cloth inside a pillow, and forthwith 
they die, for no doctor, we are told, could save a person 
whose head had once touched that pillow! .... Has 
there been a single writer of detectiv e or mystery stories 
who has done justice to the genuine drama hidden in 
the properties peculiar to Amanita p/ad/oides( 


The C German author Gustav Meyrink in his Hat JMa- 
cabre deals with mushroom intoxication. The story is 
drenched with a pathological atmosphere artfully con¬ 
trived. There is much about mushrooms in the narrative, 
but the hallucinations that hanir over the whole story 






seem to us to be best explained by the effects of alcohol, 
an alcoholic’s nightmare about toxic mushrooms. Mev- 
rink reveals no knowledge of fungal toxicology. The 
prolific American writer Percival Wilde in his Tinsley's 
Hones , published in 1942, introduces as a witness a 
knowledgeable female mycologist who seems to be ad¬ 
dicted to mushrooms of the genus Panaeolus as a substi¬ 
tute for cocktails, the author and his character displaying 
thereby an astonishing command of mushroomic eso- 
terica; but mushrooms in this yarn were not the agent 
used lor the murder. 

The facts about lethal mushrooms are to be found, not 
in standard medical reference works, but in mycological 
publications. They are well summarized in John Kams- 
bottom's A Handbook of the Larger British Fungi, an 
indispensable reference book, which however still charac¬ 
terizes Amanita mappa as poisonous, ignoring the work 
done by the French with this species, Good instances 
of poisoning by the deadly amanitas appear in a Canadian 
Government publication, Mushrooms and Toadstools , by 

H. T. Giissow and W. S. Odell. Certainlv the best 

worked up case history in any language is the account 
of the tragic end of a Madame Boyer and her daughter 
Elodie, more than a century ago, retold with dramatic 
suspense and pathos by Camille Fauvel in his delightful 
little book, Lc Champignon qui tuc, published in Paris 
in 19*26. The best sintrle source of information about all 


the toxic 


believe. Les Ch 


Toxiqucs et Hallucinogenes, by Roger Heim, published 

by Boubee in Paris. 

% 

M ycologists are prone to exaggerate the importance 
of mushroom poisonings in history. In their writings we 
repeatedly find a list of eminent persons who have died 
allegedly from eating poisonous mushrooms, a list that 
they copy from each other without verification. Some- 

t 1 "9 ] 


times we read that Euripides lost his wile and two 
daughters thus, an assertion unsupported by any ancient 
text, apparently based on a misreading of Athenaeus. 
We read that Pope Clement VII—he who is remem¬ 
bered ehiellv lor his tribulations with Iienry VIII of 
England—was a victim of poisonous mushrooms. This 
Pontiff*died on September 2.5, 1.531. The date falls in 
the season of the deadly amanita, but the records show 
that Clement's symptoms first manifested themselves 


M 


course of his 


fluctuating illness from that moment is well documented. 
We disco\ er in the record no trace of the telltale syn¬ 
drome. As his biographer Emmanuel Kodocanachi sagely 
observes, ‘In accordance with the custom of those times. 


people attributed his death to poison.* 


1 


l hen there was the case of the Holy Homan Emperor 
Charles VI, father of Maria Theresa of Austria. I le had 
been worried and run down. ‘On the 10th ( of October 

L. 

17 to] at night his complaint was increased by an indi¬ 


gestion, occasioned by a dish of mushrooms stewed in 
oil, of which he ate voraciously.* So wrote Archdeacon 
William Coxe in his History of the House of Austria. 
Ten days later, on October 20, while the doctors were 
still arguing about the diagnosis, he surprised them by 
dying. The clinical details that Coxe supplies to us. in¬ 
cluding the patient's sudden death, are compatible with 
poisoning by the deadly amanita: we have only to as¬ 
sume that the physicians out of a sense of decorum played 
down the unpleasant details of his last illness. There were 
no allegations that the poisoning, if such it was, was de¬ 
liberate. 11 fungi were the agent, he is the one important 
personage in modern times thus killed. His end precipi- 


1 Ihstoire de Home: Les Pontificate d' Adrien I I et dc Clement l //, 
Librarie Hachette, Paris, 1938. See also Ludwig Pastor, The History 
qf the Popes , London, 1910, Vol. 10. 







tilted war and it is on record that Voltaire declared ‘a 
pot of mushrooms changed the history of Europe*. 

Most remarkable is the persistence in mycological 
writings of the assertion that Tsar Aleksei of Russia or 
his widow died from mushrooms. Sometimes the texts 
name him, but more often her. As to the Tsar himself. 


death 


know 


unrelated to fungi. 


The source of these reports is to be found in a footnote 
that appears on page 111 of Jean-Jacques Pan let's classic 
Traitc des Champignons , published in Paris in 1703, read¬ 
ing as follows: 


I/accident arrive a la veuve du 


Alexis, qui s’empoisonna 


avec des champignons qu’on avait gardes pour le carcme, et rap- 
porte par Mfiller, est de notre siecle. 

The accident that befell the widow of the Tsar Alexis, who was 
poisoned by mushrooms that had been set aside for Lent, as re¬ 
ported by Mfiller, belongs to our century. 

Paulet's remark would arouse skepticism in any Russian. 
In winter (especially during Lent) the (ireat Russians 
eat an immense quantity of mushrooms, dried and mari¬ 
nated. The Tsarina would of course have enioved the 
pick of the harvest. Had she been the victim of deliber¬ 
ate poisoning, we should certainly not be indebted for 
our information about this event to a mycologist writing 
in France almost a century later. The Russian Court 
chronicles woidd have reported the episode and the at¬ 
tendant furore. If a mistake was made (which is almost 
incredible), everyone who shared in the dish would have 
succumbed. No one in Russia has ever heard of such a 
traiiedv. 


Paulet refers to a book by *Midler', Vol. I I, p. 59. In 
vain did we look for it, until one day we came across an 
essay on this very citation by a Russian, B.P. Vasil kov, 
the specialist in the higher fungi residing in Leningrad. 

[ HI 


Mis Russian text lias never been published, but it was 


translated out of Russian into 



and published in 


JM ykologieky shorn ik. in 1955 (no. .‘5, pp. (>3-05, and no. 
t, pp. 97 _ 0‘.)). a mushroom journal so obscure that few 
inside Czechoslovakia see it and only we abroad. It 
seems that when Paulet refers to ‘Midler' he means 
Friedrich Christian Weber, whose Das Ueriinderte Russ- 
land first appeared in Frankfort in 17*21, and again in 
German in 1729 and 1738. An Fnglish translation. The 
Present State of Russia, came out in two volumes in 
1723, and a French version, also in two volumes, in 
1725, entitled Xoaveaum Mi 'moires sur /' Ktat present de 
la Grande Russie on Moseovie. Some copies of the 
French edition were wrongly bound, carrying on the 
title page by mistake the heading of a chapter Res 
Moeurs et Usages des Ostyakes , contributed by .Johann 
Rernhard Midler, a Swedish prisoner-of-war living in 
Siberia. Endowed with a rare gift of serendipity, I5.P. 
Vasil kov came across one of the misbound copies in the 
M.E. Saitykov-Shchedrin Public Library in Leningrad, 
and there in Volume II, p. 59, was the telltale quota¬ 
tion showing precisely where Paulet had made his mis¬ 
take. (Vasil kov was the one man in millions who would 
grasp the meaning of what he had found.) The French 
source reads: 

I-a Czarine Douairiere, veuve du feu Czar Alexis, etant mortc au 
Carcmede Tannee 1713, on ouvrit son corps, \ Ton trouva (jue 
la principale cause de sa maladie, etoit d "avoir trop mange de ces 
champignons marines, pour observer le jeun plus regulierement. 

In the English text, Voi. I, p. 333. this is the translation : 


The Czarina-Dowager, Relict of the bite Czar Alexius, dying in 
the year 17 13, during Lent, her Body was opened, and it was 
found, that her Indisposition was chiefly occasioned by eating 
too much of those pickled Mushrooms, out of Devotion of strictly 
observing her Fast. 

So there is no question of poisonous mushrooms, 



merely overindulgence in delectable pickled mushrooms. 
The German author Weber was incapable of understand¬ 
ing the Russian appetite for mushrooms and credits the 
Tsarina Dowager with an excess of pious zeal! The 
French mvcologist Paulet. with a clear French text be¬ 


fore him, was 


incapable of distinguishing toxic mush¬ 
rooms from an excessive indulgence in good mushrooms ! 
A long succession of other writers, undoubtedly myco- 
phobes at heart, have accepted Faulet's account without 
verification, on the mycophobe’s rule-of-thumb that 
nothin^ bad said about mushrooms can be undeserved. 


But the imbroglio does not end here. The German 

O 

edition, as we said before, first appeared in 1721 in 
Frankfort. In it Weber had attributed the death from 
mushrooms, not to the widow of Tsar Aleksei, but to 


wid 


V. and this account survived in the 


later German editions. But the widow of Ivan V was 
still alive when Weber s book appeared: she died in 
1723, not 171 *">! Quite properly, the English and French 


translations 


ded killing off the living T 


Dowager, but substituted 


As lor 


idow of the T 


Yleksei. the 


k n o\v 


N 


171.5. Weber was confused. There remains another possi¬ 
bility suggested by Vasilkov: The Tsarina Dowager 
Marfa Matveevna Apraksina, widow of Fedor 111 Alek¬ 
seevich, who in fact died on December 31, 1715, but 
whom Weber never mentions. 

A famous surfeit of lampreys once brought about the 
death of an English sovereign. It would be singularly 
fitting, given the Russian addiction to mushrooms, that 
a surfeit of mushrooms should have precipitated the end 
of an exalted personage in the Russian Imperial house¬ 


hold. On the likelihood that Weber had a specific death 

[ 113 ] 



in mind, we choose to think that Marla Matveevna died 
of a gluttonous appetite lor mushrooms at Christmastide 
in 1T1 <5, the autopsy revealing the cause of her death, 
that cause supplying History with her only claim on 
lasting tame. 

So much lor the famous men and women whose deaths 
have been attributed rightly or wrongly to mushrooms. 
This mortuary procession of alleged mushroomic victims 
would be incomplete if we did not here add the murders 
revealed by l'affaire Cfirard. In this ease the victims were 
persons of no consequence: their very names are for¬ 
gotten. Hut the circumstances that brought them to 
their deaths are, for mycophiles anti epicures of crime, 
both instructive and fascinating. 

The standard mushroom manuals of France, like those 
of Fngland, have always been saturated with mycopho- 
bie caution. By overstating the toxic dangers of various 
species, they have aimed at assuring the safety of their 
readers. Hut, through a strange conjuncture of events, 
that verv bias once contributed to the disastrous end of 
a man who trusted lus mushroom manual too much. 
Such is the lesson to be learned from this police episode. 

(iirard's murders would doubtless have drawn wide 
attention if the press stories had not broken at the pre¬ 
cise moment of the great spring offensive of 1918, the 
final vear of the first World War. Ciirard was a Parisian, 
and his accomplices were his wife and his mistress. lie 
murdered only his friends, after insuring their lives in 
his own favor. Poisons were his instrument, and among 
other poisons he used toadstools gathered for him in the 


forest of Kambouillet by an old hobo known as le pere 
Theo, whose testimony later was damning to the ac¬ 
cused. From time to time Ciirard would order from 


Theo a mess of amanitas: they had to have white gills 

C,_ - 


veil, and volva—the stigmata of the deadly amanita, but 





also o {Amanita mappa and citrina. Girard and his wife 
would serve these fungi to their victims at sumptuous 
dinners in their own apartment. Sometimes the guest 
went home and after a lingering illness died, but on 
other occasions, to the surprise and discomfiture of the 
Girards, the intended victim suffered no ill effects. In¬ 
deed, a number of them lived to give their evidence to 
the police. 

In 1918 the standard mushroom manual of France was 
l*aul Dumee's. Like all of the over-cautious manuals of 
that time, it lumped Amanita citrina with the deadly 


ones. 


Girard had 


distinguish the lethal amanitas when instructing old 
Theo about the mushrooms to gather. Thus it came 
about that when Theo brought in a mess of Amanita 
phalloides , the victim would enjoy a dish of tasty mush¬ 
rooms and later die. But when Theo produced specimens 
of innocent A. citrina , the intended victim must have 
found them less pleasant to the taste, and that was the 
end of the matter. For the deadly amanita makes a de¬ 
lectable dish, whereas its relative the innocent citrina 
scarcely rises palate-wise to the mediocre level. 

Thus it may be said that Girard was deceived and 

W 

misled by Dumee's over-cautious manual, with the re¬ 
sult that some of his friends and intended victims un¬ 
wittingly survived his honest efforts to do them in, and 


led 


in the law's toils. Now 
mproved, ( .irard's mis- 


Seri 


H 


be repeated. Had Girard hailed 
Fabre's village in the Provenc 


he 


would have known from childhood not to rely on Dumee, 
for these peasants need no manuals. 

Girard's crimes would have been forgotten, had it not 
happened that Camille Fauvel, that prodigious myco- 
phile, was a Commissairc de Police in Paris at the time. 


11.3 




and though he was not handling the Girard case, having 
lately been charged with the more famous and important 
but less interesting Mata Mari dossier, he followed it 


with expert attention, even interviewing Girard 


in 


Fresnes prison after the conviction, in the interests of 
myeological lore. Fauvel published an admirable narra¬ 
tive of the affair many years later, in the Supplement to 
the issues of June and August. 1of the Revue ile 
Myeologie , and we have drawn our facts from his account. 
It should be added that Girard died in his prison bed of 
tuberculosis a few days after he was interviewed, never 


ulmitted 


had relied 


unsound advice of Dumee. Hut Fauvel s inference is 
based upon evidence that leaves little room for doubt. 


All that we have set forth in this chapter up to now— 
the description of the singular properties of lethal mush¬ 
rooms, the inadequacy of mystery writers when they deal 
with this theme, our comments on alleged poisonings of 
eminent personages and the mushroomic murders of un¬ 
important folk—has had only one purpose: to equip the 
reader for a reconsideration of the death of the Fmpcror 
Claudius in A. I). 54. ()n that occasion, the whole of the 
Roman Fmpire and the known world swung on a dish 
ot poisoned mushrooms. The accounts in the ancient 
writings of that famous event are an old, old story, fa¬ 
miliar to all students of antiquity. Those texts have been 
parsed by students, dissected by historians, pondered by 
moralists for close on twenty centuries, it would seem 
that by now every conceivable interpretation must have 
been hit upon, and the resources of scholarly inquiry 
exhausted. Indeed, the signs of exhaustion are not lack¬ 
ing: in our own generation Guglielmo Ferraro in his 


The // omen of the Caesars has not only struggled to 
exonerate Agrippina of the dreadful charge laid at her 




door, but to portray her as a noble Homan matron! 

It would be surprising if at this late date fresh evidence 
shedding light on Claudius’s death were discovered, and 
yet this is what we think we have done. We rely solely 
on the same worn texts, and we entrust our fate to the 
verdict of scholars far more learned than we. Those old 
texts have a message to deliver to us that can be dis¬ 
sected only by one who is a lover of mushrooms, and 

4/ 4/ 

above all an amateur of venomy—amateur in the sense 
of a critical but passive observer of those who have prac¬ 
ticed that subtle art. 

Let us recall the background of the crime. Claudius 
succeeded Caligula as emperor in the year 41, at the age 
of 51. By his third wife, Messalina, he had had a son, 

4/ 7 

Britannicus, born the year before his accession. After 

* 

executing Messalina for adultery, he married his niece 
Agrippina, who by a previous marriage had a son of her 
own, three years senior to Brittanieus; and her son was 
destined to worldly immortality as the Emperor Nero. 

%/ 4/ L 

Indeed, Agrippina’s motive in murdering her husband 
was to assure the succession to Nero, in which endeavor 
success crowned her efforts. Claudius at the time of his 
death was said to be favoring Britannicus, and it was 
even bruited that he had bequeathed the Empire to 
Britannicus in a will that Agrippina destroyed. 

From A. I). 50 the youth to be known to posterity as 
Nero had as his tutor Seneca the Eider, and at the time 
of the crime Seneca was an intimate of the imperial 
circle, probably privy to all that took place at Court. 
He could have left us the inside story of what happened, 
but instead he veils his remarks in satire—the prudent 
evasion of one who undoubtedly knew too much. Three 
of the ancient historians have given us accounts of the 
event. Tacitus, who was born probably in the year after 
Claudius's death, wrote his narrative about sixty years 





later; Suetonius’s version came a lew years alter that; 
and Dio Cassius told the storv again almost two centuries 
alter the event. These three secondary sources differ 

w 

among themselves in details, which gives to their atrree- 


« 


ment on essentials a stamp of verisimilitude. I n the main 
they were not copying each other, and they probably 
had the important facts right. 

Claudius was exceedingly fond of the mushrooms 
known to the 
dition has it 


Romans as bolcti: indeed a plausible tra¬ 



ins 


kind was what we know 


today as Amanita cacsarca. (In antiquity boleti meant 
what mycologists since Linnaeus’ day have called the 

» O » 

amanitas.) The dish of mushrooms that he ate on the 
fateful day consisted of poisoned, not poisonous mush¬ 
rooms. On this all three of the ancient historians agree. 


in different words. None identities the poison that was 
used, but they are abundantly clear that poison was added 
to the Lmperor’s favorite dish. Here is Tacitus, Rook 
XII, Chap. Ixvii of the ^tnnals in the Loeb edition: 

Adeoque cuncta mox pernotuere, lit temporurn illoruin scriptures 
prodiderint intusuin delectabili cibo boleto venenuni. 

So notorious, later, were the whole proceedings that authors of 
the period have recorded that the poison was sprinkled on an 
exceptionally fine mushroom. 

Suetonius gives two versions, in Rook V, Chap, xliv, in 
the I ,oeb edition : 

Kt veneno quidem occisum convenit; ubiautem et per quern dato, 
discrepat. (Juidam tradunt epulanti in arce cum sacerdotibus per 
I lalotum spadonem praegustatorem : alii domestico convivio per 
ipsarn Agrippinam, quae boletum medicatum avidissimo ciborum 
taliuin optulerat. 

That Claudius was poisoned is the general belief, but when it was 
done and by whom is disputed. Some say that it was his taster, 
the eunuch Halotus, as he was banqueting on the Citadel with 
the priests; others that at a family dinner Agrippina served the 
drug to him with her own hand in mushrooms, a dish of which 

he was extravagantly fond. 




Suetonius places the poisoned mushrooms only in his 
alternative account, but mushrooms could have been the 
vehicle that Halotus used too, and this may be implied. 
DioC assius comes down to 11 s in a Greek summary. In 
Book LX I I ie accuses Agrippina of having put the poison 
into ‘one of the vegetables called mushrooms*, for mush¬ 
room the Greek text using the word [avst/s. A few pages 
later Dio Cassius refers again to the same poison when 
he says: 

Agrippina was ever ready to attempt the most daring under¬ 
takings: for example, she caused the death of Marcus Junius 
Silanus, sending him some of the poison with which site had 
treacherously murdered her husband. 


What poison did Agrippina use \ This much we know : 
she turned for advice and aid to a woman named Locusta, 
an experienced artist in the preparation of* poisons, as 
o Cassius puts it. According to Tacitus, the instruc- 
ns of the Emnress to Locusta were narrowly defined. 


13 


The ooison was not to be 


and instantaneous in 


its operation, lest the desperate achievement should be 
discovered. On the other hand, if the effect was slow and 
consuming. Claudius as his end approached might dis¬ 
cover the treachery and take steps to thwart the perpe¬ 
trators in their ultimate purposes. (He might, that is to 
say, proclaim Britannicus as his heir.) Something subtle 
was needed, which would take time but also, at the ap- 


ted hour, dei 


the victim of his faculties. As 


Tacitus goes on to say, by Locusta's skill 


poison was 


pared 


r n 


1 


desired 


passage in the Annals ol 


Tacitus beimi a crux in our argument 


Turn Agrippina seeleris olim certa et oblatae occasionis propera 
nec ministrorum egens, de genere veneni consultavit, ne repen- 
tino et praecipiti facinus proderetur; si lentum et tabidum dele- 
gisset, ne admotus supremis Claudius et dolo intellecto ad aniorem 
rilii rediret. Kxquisitum aliquid placebat, quod turbaret inentem 
et mortem ditferret. 


r 1191 


It was then that Agrippina, long since bent upon the impious 
deed, and eagerly seizing the present occasion, well furnished 
too as she was with wicked agents, deliberated upon the nature 


of the poison she would 


, whether, if it were sudden and in¬ 


stantaneous in its operation, the desperate achievement would 
not be brought to light: if she chose materials slow and con¬ 
suming in their operation, whether Claudius, when his end ap¬ 
proached, and perhaps having discovered the treachery, would 
not resume his affection for his son*. Something of a subtle na¬ 
ture was therefore resolved upon, such as would disorder his 
brain and require time to kill’. [Oxford translation, Annuls, 
Hook XII, Chap. 6b. 


There was only one poison available to the ancients 
that would fulfill Agrippina’s requirements—the poison 
of the deadly amanita. The victim would not give awav 
the game by any abnormal indisposition at the meal, but 
when the seizure came, he would be so severely stricken 
that thereafter he would no longer be in command of 
his own faculties. For one familiar with the properties 
o\' Amanita p/ialIonics the text in Tacitus seems trans¬ 
parently clear. The great Roman historian, probably 
unaware of the meaning behind his words, is revealing 
the secret of the murderers. But for others than myeo- 
philes there might remain a doubt: is it legitimate for 
us to infer that Locusta knew the deadly amanita and 
its secret virtue to which even now, after nineteen cen¬ 
turies, few are privy { 

This question troubled and challenged us, not because 
we were uncertain but because it would be hard to carry 
conviction with an uninitiated public. Once more we 
reviewed all the principal sources, all the stray allusions 
in the classical writers. We concentrated especially on 
Seneca. After all, he was a witness whose testimony 
would have been competent in our own courts of justice: 
he was articulate, and had he not carried the secret etched 
sharp in his memory from that fateful October day in 
A. I). .54 until his death eleven years later!' Somewhere. 


120 





if only by inadvertence, he must have talked, and per¬ 
haps his revealing words had survived, their esoteric 
meaning hitherto unperceived. We embarked on a read¬ 
ing of all his extant writings. We began with his later 
works, composed after the death of the Emperor, and 
tried to orient each sentence toward that event. Suddenly 
one day we came upon the tell-tale phrase: it leaped at 
us from the page, fairly shouting at us. Yes, surely with 
sly intention Seneca had imparted the fateful secret to 
all knowing readers. And before us not a single com¬ 
mentator had ever caught the inner meaning of the 
simple words. 

We refer the reader to Letter XCY that the old Stoic 
w 7 rote to his friend Lucilius nine or ten years after the 
death of the Emperor and one or two years before he 
took his own life on Nero's orders. In it he describes 
and deplores the excesses of the Roman upper class. He 
refers to the late Emperor's gluttony: 

l)i boni, quantum bominum unus venter exercet! Quid? Tu illos 
boletos, voluptarium venenum, nihil occulti operis iudicas facere, 
etiam si praesentanei non fuerunt. 


Good gods ! What a number of men does one belly employ ! But 
ean you think those mushrooms (a tasty poison ) do not secretly 
and gradually operate, though no bad effect is immediately per¬ 
ceived from them? [Loeb translation] 

He re is proof that Seneca knew Amanitap/ialloidcs, that 
an intimate of Nero's circle was privy to a secret shared 
by few even today. So far as w r e know 7 , we are the first 
to link these lines with the death of Claudius. To us the 
tell-tale sentence seems to be injected into the letter out 
of context, as though the writer were blurting out the 
secret with which he had been living all these years, per¬ 
haps blurting it out intentionally, for the benefit of those 
who could read between his lines. 

The period of silent invasion, that veritable signature 
of the lethal mushroom, was familiar to Seneca, and he 



even took pains to mention how tasty the wicked mush¬ 
room was. How much guilty knowledge packed into a 
tew words! Read in conjunction with the Empress 
Agrippina's instructions to Locusta, we believe it 
clinches our case. The poison in the dish of Caesar's 
amanitas was the poison of the deadly amanita. Two of 
our authors, Suetonius and Tacitus, give us grounds for 
supposing that the administration of the poison was en¬ 
trusted to the eunuch Halotus. whose ollice it was to 


taste the Emperor's food before serving it to him. Taci¬ 
tus says that a person unnamed (presumably Ilalotus) 
poured the poison into the dish of mushrooms. It would 
have been easy for Eocusta to prepare a sauce from the 
deadly specimens, and by enlisting the aid of Halotus, 
no suspicion would be aroused by the failure to serve it 
to others at the feast. However, this is a detail, impor¬ 
tant at the time to the participants of course, but second¬ 
ary to the primary fact that the ancient writers are telI- 
ing usexactlv how Eocusta handled the assignment with 


which Agrippina charged her. We believe that the secret 
of those two fearless and wicked women is withheld from 
us no longer. (Eatinists and mycologists will note that 
Seneca uses the word boletus for the deadly amanita: 
clearly it was the term for all amanitas, not merely 
s / man it a cues a rca .) 

We rest our ease on the knowledge shown by Seneca 
and the quoted passage from Tacitus, taken together. 
Rut there is additional circumstantial evidence compati¬ 
ble with our theory. The crime was committed on Octo- 
her 1*2—in the season when the deadly amanita could be 

m/ 

easily found around Rome. ()n the morrow after Claudius 
had eaten the mushrooms and while he was yet alive, 
comedians were introduced into his presence to solace 
and delight him, as Suetonius says. Since any such kind 


intention was foreign to Agrippina's nature, and a for- 




tiori at the dreadful moment that we are considering, we 
may assume that her purpose was different: the comic 
actors were to bear witness in the public market-place 
that the Emperor had not been killed but was in truth 
desperately ill, and the Hippocratic facies that we know 
he must have manifested gave them full warranty for 

C _ 1 %/ 

such a report. Immediately after Claudius's death, he 
was proclaimed a god—a posthumous honor for emperors 
to which Romans were accustomed. Afterwards, when 
Nero was in secure possession of his imperial office, he 
was present at a certain banquet where mushrooms were 
brought in, and someone alluded to the saying common 
at that time that mushrooms were ‘the food of the gods', 
cibus dear urn. fipbopa. 'To this Nero is said to have 

replied: ‘True enough: my father was made a god by 
eating a mushroom.' (This story is told by Suetonius, 
Dio Cassius, and Petrus Patricius.) Nero's remark is 
clothed with wit if he was referring to the deadly ama¬ 
nita, and not merely to a dish of edible mushrooms that 
had been poisoned ; and Nero was in a position to know. 

In spite of Locusta's artistry, we know that her bold 
stroke was botched, and this leads us to the second part 
of the crime. The time schedule alone tells us that some¬ 
thing went awry. Claudius sat down to his fatal banquet 
around 2:.‘30 p.m. on October P2. At or shortly after 
noon the next day he was dead. The lethal amanitas do 
not kill so quickly. We do not know at what stage in 
the lengthy banquet he ate his mushrooms, but probably 
not at the beginning. His seizure could not have taken 
place before 9 p.m., and probably not before midnight 
or later, which would mean that his agony lasted only 


twelve hours. On its face this is impossible. We pointed 

?rer .Amanita phalloidcs labors 


urd 


under one shortcoming: occasionally a victim recovers. 
Agrippina could not afford this risk, and even if we had 





no evidence to support our theory, we might assume that 
she and Locusta, as their imperial patient lay at 
mercy, resorted to direct methods to dispatch him. For¬ 
tunately, our texts come to our help. 

‘The victim of the plot,' says Dio Cassius, ‘was car¬ 
ried from the banquet quite overcome by strong drink, 
a thing that had happened many times before.* Sueton¬ 
ius's version is hesitant: ‘Of those accidents which also 
ensued hereupon [af ter eating the mushrooms] the report 
is variable. Some say that straight upon the receipt of 
the poison he became speechless, and continuing all night 
in dolorous torments died a little before day. Others 
affirm that at first he fell asleep, and afterwards, as the 
meat flowed and floated aloft, vomited all up.* (II it is 
true that in his usual drunken stupor he threw up, this 


send the 


he 


might have rid himself of the fungal poison: but perhaps 
the vomiting came later, when the deadly amanitas finally 
made themselves felt.) Tacitus is explicit: ‘Agrippina 
therefore became dismayed : but as her life was at stake, 
she thought little of the odium of her present proceed¬ 
ings, and called in the aid of Xenophon the physician, 
whom she had already implicated in her guilty purposes. 
It is believed that he, as if he purposed to assist Claudius 
in his effort to vomit, put down his throat a feather be¬ 
smeared with deadly poison ; not unaware that in desper¬ 


ate villainies the attempt without the deed is perilous, 
while to insure the reward they must be done effectually 
at once.' There was thus a second poisoning, with the 
Greek physician Xenophon replacing Locusta. Suetonius 
says that, according to one report, the second poisoning 
was by clyster. 

w % 

What was that poison to which Xenophon had hurried 
recourse? Robert Graves in private correspondence offers 
us an answer that fits the circumstances perfectly. Not 





long after Claudius's death, a satire (attributed usually 
to Seneca) was published on the emperor s deification 

to which the author gave the title of Apocolocyntosis, an 
artificial word inserting the Creek eolocynthis into the 
middle of apotheosis. The colocynth (as we call this gourd 
in English) was the Creek name used in Rome at the 
time for a gourd recently introduced from the Near East. 
When the title of the satire is translated the Pumpkinifi- 
eation of Claudius, all its sap is drained out of the name: 
a ‘pumpkin-head' means merely that Claudius was made 

a dunce of, was ‘duncified'. Moreover, the botanist is 
rendered uncomfortable by an anachronism: the pump¬ 
kins and squashes were introduced into Europe in the 
15th century, being native to America. The Mediter¬ 
ranean shores knew other cucurbits, but not the pump¬ 
kins and squashes. Scholars who use ‘pumkinification*. 
miss the point of Apocolocyntosis. 

The 'colocjmth' as used in Rome at that time is not 
edible. It is exceedingly bitter, whence its name ‘the 
bitter gourd'. It is not native to I taly, but was imported 
from the arid areas of the Near East, notably Palestine. 
This is the famous gourd that responded to Elisha's 
miraculous powers in 11 Kings, Chapter 4, verses J38-41 : 

And Elisha came againe to Gilgal, and there was a dearth in the 
land, and the sonnes of the Prophets were sitting before him: 
and hee said unto his seruant. Set on the great pot, and seethe 
pottage for the sonnes of the Prophets. 

And one went out into the field to gather herbes, and found a 
wild vine, and gathered thereof wilde gourds his lap full, and 
came and shred them into the pot of pottage: for they knew 
them not. 


So they poured out for the men to eat: and it came to passe as 
they were eating of the pottage, that they cried out, and said, 
O thou man of God, there is death in the pot. And they could 
not eate thereof. 


Hut be said, Then bring meale. And he cast it into the pot: 
And he said, poure out for the people, that they may eat. And 
there was no harme in the pot. 




i n minimal doses the eoloeynth is a violent purgative; 
in larger doses it is lethal. It happens that we know the 
history of this drug in surprising detail. In the first een- 
tury of the Christian era the upper classes of' Rome were 
much concerned with their hea th : hypochondriasis was 
rampant, anti miracle drugs were being discovered one 
alter the other.' In A. 1). 423, when Claudius led a cam¬ 
paign into Britain, one Seribonius Largus was serving as 


an army surgeon with his forces. Some scholars have 
assumed that he then rose to the status ot' the Emperor s 
private physician and that he was in attendance on j\Ies- 


However this mav be 


that C 


Julius Callistus, a freedman who became a powerful 
favorite of Claudius, encouraged Seribonius to assemble 
and circulate a book of prescriptions, drawing these writ¬ 
ings to the attention of the Emperor. They are the 
earliest of such writings that have come down to us in 
Latin literature, and they must have exerted considera- 
ble influence on the medical practice of that age. Among 
them Prescription TOO employs eoloeynth, which Seribo¬ 
nius called by its Creek name, showing that it was at 
that time a novelty introduced from the East. It proba¬ 
bly enjoyed considerable vogue among the elite and 
fashionable of' Koine in the middle of the first century. 
In the desperate extremity of that turbulent night of 
October 1*2, A.I). 51, when the Greek physician Xeno¬ 
phon was called in consultation and permitted himself 
to become a particcps criminis , it was natural for him to 
come to the rescue of Locusta and Agrippina by dis¬ 
patching Claudius with an overdose of eoloeynth, ad- 

‘ Some of the drills used in imperial Rome have survived in use 
until recent times. One such is the agaric, and another is eoloeynth, 
this latter having been the base for 'general issue’ purgative pills in 
the British army in the first world war. We too, in the inid-tZOth 
century, are witnessing a spate of miraculous pharmaceutical discover¬ 
ies, Will a single one of them be remembered in A.I). 3850? 


r 


120 



ministered by mouth or clyster or both. This explains 
the name that Seneca crave to his satire. Claudius’s last 


words, as attributed to him bv Seneca, were: Vac me. 


f 


puto concacavi me —‘There now! I say, I have fouled 
myself!', which would he apt for either colocynth or 


the deadly amanita. 


3 


If then our reading of the text is right, Claudius was 
done in with a one-two knock-out, first a dose of the 


dly amanita, and then a dose of < 
‘anotheosis*. the name of Seneca 


A 


tosis at last becomes clothed with wit: the deification of 
an emperor is reduced to a repulsive scatological meta¬ 
morphosis. When, later, Agrippina did away with Mar¬ 
cus Junius Silanus (as Dio Cassius tells us), it was the 
deadl} T amanita that she used, and not colocynth: for 
colocynth proclaims its presence by its bitterness, and 
an intended victim would spew it out forthwith. 

At noon on October 13 the gates of the imperial pal¬ 
ace in Home swung open, and Nero, then a youth of 17, 
emerged and presented himself as the new emperor to 
the army detachment that was on guard there. The 
Emperor Claudius was dead, or in extremis. There could 
have been no reason, only danger, in prolonging the in¬ 
terval between the death of the old emperor and the 
assumption of authority by the new. 

And so we bring our review of Claudius's death to an 
end. The three ancient historians who tell us the storv 
were not clinicians. Their accounts, differing sharply in 
the unessential details, give us a surprisingl}’ clear and 
consistent overall clinical picture. This is circumstantial 
evidence of virtually conclusive weight that they were 
telling the truth. They could not severally have invented 

O J •/ 


For information concerning tbe early use of colocynth in tome, 
the best source is Wilhelm Schonack's scholarly stud}’ Die Rezepl- 
sammlung des Scribonius Largtts , published in Jena in 19 F2. 




a combination of symptoms, and a sequence of events, 
that two thousand years later would speak for themselves. 

Our sources say that a curtain of secrecy had shrouded 
the palace during the illness of Claudius. It is tempting 
to try to reconstruct the scenes in the imperial palace 
before and during the crime. The plot had been laid 
earlier in whispered conversations between Agrippina 
and Locusta in some safe spot to which Locusta had 


been furtively summoned. How 



Locusta must 


have been by her great assignment: the world offered 
none bigger for a person in her line of work. Locusta, 
if she possessed imagination as well as art. may well have 
leaped with excitement at the thought that this deed. 


artfully accomplished, would bring her immortality : and 
indeed it has done so. Hut during that fateful night the 
tension must have been unbearable. Had their victim 
foiled their efforts prematurely from drunkenness, by 
vomiting before the poisonous amanita had done its 
damage t M ight he survive and resume the exercise of 


imperial functions?' Was Locusta vexed, her professional 
pride hurt, when Xenophon was called in, or was she 
relieved? With what anxious eyes Locusta and Agrip¬ 
pina must have searched each other's ill-lighted faces as 
the hours crept on! Hut in any case, with his enemies 
in command at his bedside, Claudius stood no chance. 

The triumph of Agrippina and her fellow conspirators 
bestowed on them all power. They may well have gloated 
in their success, and were so situated that they could talk 
with a large measure of impunity. In the writings of 
Seneca and the three historians, one seems to hear echoes 
of veiled boasting, as though Locusta and .Agrippina 


were dying to tell just how they had contrived their ends. 
Their words were veiled, in homage to virtue, but thinly, 

and lend themselves to understanding by the initiated, 
if only across a chasm of nineteen centuries. 


r 


128